Our DL2212SE series is loosely based upon the original AB763, 1963 vintage Fender® Deluxe Reverb® amplifier. This amp is a Dual Channel, dual input Class A/B amplifier with 22 watts RMS output utilizing a matched duet of 6V6GT's. Tone controls for Channel #1 are Volume, Bass, Treble, and a Bright switch. Tone controls for Channel #2 are Volume, Treble, Mid, Bass, Reverb, and Speed and Intensity for the Tremolo as well as a Bright switch. A Master Volume control is on the rear deck. Spring reverb is tube driven to maintain a clean, vintage black face effect and the tremolo is tube bias driven. Speakers are configured with 1 - 12" Jensen AlNiCo P12Q. Cabs are constructed of finger jointed pine. This is the one amp that is capable of excellent compression at low volume levels and clean headroom in moderate size venues. Natural break-up and compression are available with the Volume at the 5 -6 setting. A brand new feature to the DL is our switchable, on-board Power Attenuator. This feature enables the amp's tone and volume controls to set at just the right place to bring the DL into it's "sweet spot" while allowing the switching of an internal 6db attenuator. This results in effectively cutting overall volume of the DL to about one quarter of stock power without having any affect on the amp's tone. This highly coveted feature is sought after by recording engineers as it allows the volume of the amp to be cranked up, yet reduces overall volume by approximately 75% (-6db). The DL series is a great recording amp and can be used for small to medium sized gigs. It has four inputs with the second input on each channel rated at approximately -3db. Tube compliment consists of 4 - 12AX7's, 2 - 12AT7's and a matched duet of 6V6GT's. The tube rectifier is a 5AR4/GZ34 making this a nine tube amplifier.

Our PR3512SE series is loosely based upon the original AA1164, August, 1964 vintage Fender® Princeton Reverb® amplifier with it's hand wired point-to-point assembly. The original Princeton Reverb® is considered to be a prized collectible by countless musicians. This original circuit produces the signature tube tone that guitarists have often chosen as their prime recording and gigging amplifier. We have increased the output to 35 watts RMS with a matched pair of 6L6GC's and a larger output transformer so this truly vintage guitar tube amplifier can be used for recording as well as small to medium venue gig applications.

An enhanced Midrange tone control and a Master Volume control have been included, features that were unavailable on the original 60's version. Tone controls include Volume, Treble, Mid, Bass, Reverb, Speed and Intensity for the Tremolo and Master. Spring reverb is tube driven to maintain a clean, vintage black face effect and the tremolo is tube bias driven. Speakers are configured with 1 - 12" Jensen AlNiCo P12Q. Cabs are constructed of finger jointed pine. Tube compliment is 3 - 12AX7's, 1 - 12AT7 and a matched duet of 6V6GT's or 6L6GC's. The tube rectifier is a 5AR4/GZ34. This is truly one of the most recorded amps in history and produces a natural break-up and compression with reasonable volume levels and the Volume control at the 5 - 6 setting. A brand new feature is our switchable, on-board Power Attenuator. This feature enables the amps tone and volume controls to set at just the right place to enter the "tone zone" while allowing the internal switching of a 6db attenuator. This results in effectively cutting overall volume to about one quarter of stock power without having any affect whatsoever on the amp's tone. This highly coveted feature is sought after by recording engineers as it allows the volume of the amp to be cranked up, yet reduces overall volume by approximately 75% (-6db). This special feature adds enormous versatility to another FireBelly amplifier that is dripping with tone. The PR3512SE series is a great recording amp and can be used for small to medium size gigs. It has two inputs with the second input rated at approximately -3db. This amp is dripping with tone!

Our VB3510 series is loosely based upon the original AA964, 1964 vintage Fender® Vibrolux Reverb® amplifier. This amp is a dual channel, dual input class A/B amplifier with 40 watts output utilizing a matched duet of 6L6GC's. Tone controls for Channel #1 are Volume, Bass, Treble, and a Bright switch. Tone controls for Channel #2 are Volume, Treble, Mid, Bass, Reverb, and Speed and Intensity for the Tremolo as well as a Bright switch. A Master Volume control is on the rear deck. Spring reverb is tube driven to maintain a clean, vintage black face effect and the tremolo is tube bias driven. Speakers are configured with 2 - 10" Jensen Ceramic C10Q's. resulting in overall mid boost with a solid bottom and clear highs. Cabs are constructed of finger jointed pine. This is a masterful black face amplifier with rich history. It produces a natural break-up and compression with the Volume at the 5 -6 setting and has extended clean headroom. A brand new feature is our switchable, on-board Power Attenuator. This feature enables the VB's tone and volume controls to be set at just the right place to enter the "zone" while allowing the switching of a 6db attenuator. Overall volume is cut to about one quarter of stock power without having any affect whatsoever on the amp's tone. This is a highly sought after feature in the VB due to its higher output power and makes the VB perfect for studio recording as well as playing in smaller venues without compromising one drop of tone. This special feature adds enormous versatility to another amplifier that is dripping with tone. The VB series is a great recording amp and really comes alive in medium and larger size gigs. With the Power Attenuator, it can even be used in a small venue. It has four inputs with the second input on each channel rated at approximately -3db. Tube compliment consists of 4 - 12AX7's, 2 - 12AT7's and a matched duet of 6L6GC's. The tube rectifier is a 5AR4/GZ34 bringing the count to nine tubes in all.

Our TWEED1955SE series is loosely based upon the original 1955, Princeton® 5F2A "Tweed" amplifier. This amp uses a dual-triode 12AX7 pre-amp tube with a single ended, Class-A, 6V6GT power amp running approximately 6 watts output into a "period correct", 10" vintage Jensen AlNiCo P10R. This small, but mighty tone machine has two inputs and straight forward controls of Volume and Tone. Vintage "chicken-head" knobs are on the deck. Our cab is constructed of solid finger jointed pine. Our "Tweed" is covered in 1950's style "luggage Tweed" with an Oxblood grill. As with all FireBelly amplifiers, the "Tweed" is hand built using a G10 Glass epoxy board. Filtering is accomplished with Sprague Atom electrolytic capacitors. The tone caps are Orange Drop coupling capacitors and silver micas. This amp produces natural break-up and compression at reasonable volume levels. Because a tube rectifier is used, finger sensitive "sag" is also available. This Tweed beauty has usable clean headroom, and can be coaxed from blues and jazz to crunch and rock 'n roll, quite easily. Tubes are hand selected and include a 5Y3GT rectifier, 12AX7 pre-amp and a NOS (new old stock) 6V6GT. The Power Amp tube is chosen from vintage '50's and 60's tube stock. This TWEED is Dripping with Tone!